Analysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
Identifieur interne : 000A63 ( Main/Exploration ); précédent : 000A62; suivant : 000A64Analysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
Auteurs : Annie K. YihSource :
- Music Analysis [ 0262-5245 ] ; 2000-07.
English descriptors
- Teeft :
- Analysing, Analysing debussy, Annie, Bass line, Blackwell, Blackwell publishers, Cello, Cello part, Claude debussy, Debussy, Diatonic, Diatonic chords, Diatonic rpsc, Emphasised, First movement, Fourth movement, Harmonic, Harmonic motive, Hexachord, Hexachords, Inherent properties, Inversionally, Inversionally equivalent, Inverted form, Lesure, Lesure nichols, Melodic motives, Modal inflections, Motif, Motivic, Motivic significance, Motivic subsets, Motivic unity, Music analysis, Music theory, Octad, Octatonic, Octatonic hexachord, Octatonic hexachords, Octatonic octad, Pentachord, Perfect fifths, Pitch materials, Prime form, Principal motives, Referential, Rpsc, Schenkerian, Sonority, Specific pitches, String quartet, Subset, Substitution, Surface level, Symmetrical, Tetrachord, Tetrachords, Tonal, Tonal elements, Tonal principles, Tonal reading, Tonic, Tonic triad, Transposition level, Triad, Trichord, Various pitch materials, Yale university press.
Url:
DOI: 10.1111/1468-2249.00117
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000066
- to stream Istex, to step Curation: 000066
- to stream Istex, to step Checkpoint: 000995
- to stream Main, to step Merge: 000A66
- to stream Main, to step Curation: 000A63
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Analysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection</title><author><name sortKey="Yih, Annie K" sort="Yih, Annie K" uniqKey="Yih A" first="Annie K." last="Yih">Annie K. Yih</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:6CF1F8F73FFF597D8ED99CBB58842ED36CACC6DF</idno><date when="2000" year="2000">2000</date><idno type="doi">10.1111/1468-2249.00117</idno><idno type="url">https://api.istex.fr/document/6CF1F8F73FFF597D8ED99CBB58842ED36CACC6DF/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000066</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000066</idno><idno type="wicri:Area/Istex/Curation">000066</idno><idno type="wicri:Area/Istex/Checkpoint">000995</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000995</idno><idno type="wicri:doubleKey">0262-5245:2000:Yih A:analysing:debussey:tonality</idno><idno type="wicri:Area/Main/Merge">000A66</idno><idno type="wicri:Area/Main/Curation">000A63</idno><idno type="wicri:Area/Main/Exploration">000A63</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main">Analysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection</title><author><name sortKey="Yih, Annie K" sort="Yih, Annie K" uniqKey="Yih A" first="Annie K." last="Yih">Annie K. Yih</name><affiliation><wicri:noCountry code="no comma">Hong Kong Baptist University</wicri:noCountry></affiliation></author></analytic><monogr></monogr><series><title level="j" type="main">Music Analysis</title><title level="j" type="alt">MUSIC ANALYSIS</title><idno type="ISSN">0262-5245</idno><idno type="eISSN">1468-2249</idno><imprint><biblScope unit="vol">19</biblScope><biblScope unit="issue">2</biblScope><biblScope unit="page" from="203">203</biblScope><biblScope unit="page" to="229">229</biblScope><biblScope unit="page-count">27</biblScope><publisher>Blackwell Publishers Ltd.</publisher><pubPlace>Oxford, UK and Boston, USA</pubPlace><date type="published" when="2000-07">2000-07</date></imprint><idno type="ISSN">0262-5245</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0262-5245</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Analysing</term><term>Analysing debussy</term><term>Annie</term><term>Bass line</term><term>Blackwell</term><term>Blackwell publishers</term><term>Cello</term><term>Cello part</term><term>Claude debussy</term><term>Debussy</term><term>Diatonic</term><term>Diatonic chords</term><term>Diatonic rpsc</term><term>Emphasised</term><term>First movement</term><term>Fourth movement</term><term>Harmonic</term><term>Harmonic motive</term><term>Hexachord</term><term>Hexachords</term><term>Inherent properties</term><term>Inversionally</term><term>Inversionally equivalent</term><term>Inverted form</term><term>Lesure</term><term>Lesure nichols</term><term>Melodic motives</term><term>Modal inflections</term><term>Motif</term><term>Motivic</term><term>Motivic significance</term><term>Motivic subsets</term><term>Motivic unity</term><term>Music analysis</term><term>Music theory</term><term>Octad</term><term>Octatonic</term><term>Octatonic hexachord</term><term>Octatonic hexachords</term><term>Octatonic octad</term><term>Pentachord</term><term>Perfect fifths</term><term>Pitch materials</term><term>Prime form</term><term>Principal motives</term><term>Referential</term><term>Rpsc</term><term>Schenkerian</term><term>Sonority</term><term>Specific pitches</term><term>String quartet</term><term>Subset</term><term>Substitution</term><term>Surface level</term><term>Symmetrical</term><term>Tetrachord</term><term>Tetrachords</term><term>Tonal</term><term>Tonal elements</term><term>Tonal principles</term><term>Tonal reading</term><term>Tonic</term><term>Tonic triad</term><term>Transposition level</term><term>Triad</term><term>Trichord</term><term>Various pitch materials</term><term>Yale university press</term></keywords></textClass></profileDesc></teiHeader></TEI><affiliations><list></list><tree><noCountry><name sortKey="Yih, Annie K" sort="Yih, Annie K" uniqKey="Yih A" first="Annie K." last="Yih">Annie K. Yih</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000A63 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000A63 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:6CF1F8F73FFF597D8ED99CBB58842ED36CACC6DF
|texte= Analysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
}}
| This area was generated with Dilib version V0.6.33. |  |